Topic: Workflow - sRGB or rec709 in OpenDCP (from Premiere TIFF sequence)?
Hi, I'm really confused and could do with a little guidance on the following workflow please . . .
- ProRes file supplied to me in rec709
- ProRes file taken into Adobe Premiere Pro (CC2015 on a Mac) and then a TIFF sequence is exported from Premiere
- In OpenDCP should I set my source colour as sRGB or rec709? I have tried both options and the results are different (the only thing that looks different is the gamma, to my untrained eye).
I have searched a lot of forums looking for this info but it seems to be elusive . . . thank you for your help!